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Thursday, October 15, 2026
Tech Insights Blog

Game Review: Band Frontman Jason Williamson Takes On Character in Critical Examination at Ecstasy Generation Era

The work of Portishead co-founder the musician-producer, this scabrous though undernourished first film casts a critical gaze on 90s rave culture. Venal drug user David (Marc Bessant) initially steals from an passed-out supplier, then in another flashback tries to burgle his own family home. Before you can say, he's upside down in the remains of his car in a forest – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”

Unsteady Opening and Darkly Funny Confrontation

The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into flashbacks of his everyday life. The central theme – that the rave-era youth were primarily out for themselves – is firmly made. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Woodsman turns up, enraged after David strangles his dog. Still, a grimly amusing standoff unfolds – David eager to get away; the Woodsman withholding his jerrycan of scrumpy, determined to dousing him instead in resentful talk. Williamson, projecting ponderous menace in the role, is evocative of Michael Smiley.

Stylish Imagery and Music Video Vibe

Just a single important plot development, but it leads to a hilariously staged chaotic run on the woodland paths that veers toward rural terror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of insects in the light in the early stages, he now lets rip with the full psychedelic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an extended promo than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into successfully graduating from the UK video industry.

Game releases in British and Irish theaters from November 17.

About the author

Barry Turner

A cybersecurity specialist and tech writer with over a decade of experience in digital innovation and software development.

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